Quadrant A5 Cafres

Quadrant A5 Cafres

@quadrant-A5-cafres

Associated Sub Page

Murillo Velarde 1734 Map

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Overview

Quadrant A5 of the Murillo Velarde 1734 map, labeled "Cafres" and "Canatin. Lázar."

Here are key insights based on the scene:

1. Depiction of the "Cafres"

  • The term "Cafres" was historically used by the Spanish and Portuguese to refer to people of African descent, particularly those from the East African coast and Madagascar.

  • The illustration shows a group of dark-skinned individuals engaged in what appears to be a ritual dance or traditional movement.

  • They are wearing grass or fiber skirts and ornamented with ankle beads, suggesting cultural or ceremonial attire.

  • One of them holds a bow and arrow, indicating their hunter-warrior role.

2. Who are the "Canatin Lázar"?

  • On the right, two men in foreign, possibly Muslim or Chinese-inspired clothing are observing the Cafres.

  • "Canatin" could refer to Chinese or Muslim traders, while "Lázar" might be a reference to enslaved or servile individuals, possibly drawing from the Spanish term "lázaro" (leper or outcast).

  • Their distinctive dress suggests they are not native to the Philippine archipelago but instead merchants or officials from a nearby region.

3. Context within the Murillo Velarde Map

  • The inclusion of "Cafres" in the map suggests the presence of enslaved Africans in the Philippines or their role as mercenaries or laborers.

  • The Spanish empire, including the Philippines, was linked to the trans-Pacific slave trade, where Africans were transported via Acapulco in Mexico through the Manila Galleon trade.

  • Some enslaved individuals may have been brought from Portuguese colonies in East Africa to Manila.

4. Significance of the Illustration

  • The scene highlights the diverse ethnic groups present in the Philippines during the Spanish colonial period.

  • It suggests that Africans, Muslim traders, and other foreign communities interacted with the local population, either as slaves, warriors, or merchants.

  • The depiction of dance or ritualistic movement may signify warrior traditions or spiritual ceremonies.

This quadrant visually records the complex racial and cultural dynamics of 18th-century Manila, where Africans, Chinese, Muslims, and indigenous Filipinos coexisted under Spanish colonial rule